Exciting news this month for all William Morris enthusiasts, disciples, aficionados, etc. A major exhibition devoted to Morris opened October 16th in London’s National Portrait Gallery: Anarchy & Beauty: William Morris and His Legacy, 1860-1960. It runs through January 11, 2015.
Fiona MacCarthy, author of William Morris: A Life for Our Time (1995) and The Last Pre-Raphaelite: Edward Burne-Jones
and the Victorian Imagination (2012), curated the exhibition, which features work by Morris acolytes such as Eric Gill (subject of a very good McCarthy biography), potter Bernard Leach (author of A Potter’s Book, advocating utilitarian function over “fine art pots”), and Mary Lowndes, the stained-glass designing suffragist.
In related programming, contemporary views on Morris will be offered by an interesting lineup including A.S. Byatt (author of Possession) and Ken Loach, the socialist filmmaker and director of the Palme d’Or-winning The Wind That Shakes the Barley, starring he-of-the-hypnotically-blue-peepers, Cillian Murphy.
I’m sorry to admit I’ve yet to read MacCarthy’s book on Morris, partly because I have a hard time imagining anyone could improve on E.P. Thompson’s magisterial William Morris: Romantic to Revolutionary. But I appreciate that the timeline of her exhibition tracks Morris’s influence well into the 20th century. And the subtitle of her Morris bio (“A Life for Our Time”) expresses one of my firmest convictions about Morris: that his ideas about art, society, labor, and the environment are more relevant and urgent than ever. It sounds like this is a theme of the exhibition as well.
Here’s a sort of trailer for the exhibit: