I had the pleasure of talking recently with the talented and thoughtful artist Regina Mamou about her site-responsive installation, Electrum, at Chicago’s Mission Gallery (1431 W. Chicago Ave). CAN-TV was on hand to film our conversation, which ranged over the last five years or so of her work, including the 2012 photographic series that originally brought her to my attention, Unfortunately, It Was Paradise. Much of the conversation revolved around Regina’s abiding interest in blurring the boundaries between science and spirituality, the visible and the invisible, and the ways mechanical devices such as cameras or electropsychometers fail (poignantly, frustratingly) to capture the ineffable. In my review of Unfortunately, It Was Paradise (a series of photographs of defunct utopian communities) I wrote, “seeing the unseen, the mystery—this comes close to the heart of Mamou’s project, I think.”
Check out Regina’s website here.
My review of that series for Contemporaneity is available here.
Our gallery conversation is available via CAN-TV’s YouTube channel: